Mithras scholar Vermaseren on the Mithras cranks

wynne-tyson_mithras_the_fellow_in_the_capThere are endless crank books about Mithras, usually with an anti-Christian twist.  They go unnoticed by scholars, as a rule.

A correspondent drew my attention to some remarks made by Maarten Vermaseren on one of them.  The title is Mithras: the fellow in the cap, by a certain Mrs Wynne-Tyson, back in 1958 (but reprinted since).

The title is a reference to a curious passage in St. Augustine, in his  Tractatus in Joh. Evang. VII, 6.  This reads, in the ANF translation, thus:

“And this is a great thing to see in the whole world, the lion vanquished by  the blood of the Lamb: members of Christ delivered from the teeth of the  lions, and joined to the body of Christ.

“Therefore some spirit or other  contrived the counterfeit that His image should be bought for blood, because  he knew that the human race was at some time to be redeemed by the precious  blood.

“For evil spirits counterfeit certain shadows of honor to themselves,  that they may deceive those who follow Christ. So much so, my brethren, that  those who seduce by means of amulets, by incantations, by the devices of the  enemy, mingle the name of Christ with their incantations: because they are not  now able to seduce Christians, so as to give them poison they add some honey,  that by means of the sweet the bitter may be concealed, and be drunk to ruin.

“So much so, that I know that the priest of that Pilleatus was sometimes in the  habit of saying, ‘Pilleatus himself also is a Christian’. Why so, brethren,  unless that they were not able otherwise to seduce Christians?”

The word “pilleatus” is of less than certain meaning – it means the “god wearing a mitre” or wearing a peaked cap.  It could mean Mithras, but also Attis, and apparently a number of other gods accustomed to appear with a cap.1

Mrs Wynne-Tyson has chosen to render “pilleatus” as “the fellow in the cap”, which is fair enough.  But let us now see what professional Mithras scholar and archaeologist M. Vermaseren says, after himself referring to Mithras as “the fellow in the cap”2.  (I will split this footnote into sections for easier reading).

4.  This is the dreadful title of a book by Mrs Wynne-Tyson published in 1972. The Times Literary Supplement said of this work : “The argument of this book, showing that the facts about Mithras reveal the basic pattern of Western civilisation and throw light into many of the darker comers of history, points disturbing conclusions for Christian orthodoxy”.

But reading the astonishing lines “To the Christian and others outside the Mithraic fold, Mithraism, with its bull-slaying God who was also identifiable as the Bull, in whose regenerative blood the Faithful bathed; with its animal masks of Lion and Bull, Horse, Eagle and Gryphon, and its eschatological teachings of metempsychosis, evidently seemed to be the worship of the Beast, even as Pure Christianity has always been the worship of the Perfect Man” etc., one would be tempted to think that Franz Cumont and his successors had all written in vain. I wonder what Stevie Smith in the Observer really meant when writing about this book “Most fascinating and apt to our times.”

Mithraism as the introduction to the anthroposophy of Rudolf Steiner is preached by Alfred Schütze, Mithras, Mysterien und Urchristentum, Stuttgart 1972(2). The petitio principii already is wrong.

The wildest opinions as well as unadulterated twaddle about the revealing excavations in the Mithraeum of Sa Prisca (M. J. Vermaseren – C. C. van Essen, The Excavations in the Mithraeum of the Church of Santa Prisca in Rome, Leiden 1965) can be found in the book by Father Geremia Sangiorgi O.S.A., S. Prisca e it suo Mitreo (Le Chiese di Roma illustrate 101), Roma 1968, which is now the official guide for visitors!

It becomes each year more necessary for scholars to waste their precious time in refuting the many pseudo-scholars = anti- scholars: read, for example, the exemplary review by Theodor Klauser in JAC 11/12, 1968/1969, 215-224 who rightly emphasizes:

“Wer die Wissenschaft wirklich fördern will, darf sich nicht damit begnügen, Einfälle und Lesefrüchte unkontrolliert zu einer verführerischen Synthese zu vereinigen und diese in gefälliger Form vorzutragen, die leiseste kritische Berührung bringt solche Konstruktionen zum Einsturz. Die bewährten Regeln der wissenschaftlichen Methode lassen sich nicht ungestraft ignorieren; auch der Begabteste kann langwierige Arbeitsprozesse, wenn sie nötig sind, nicht nach Belieben überspringen”.

A rough translation of Klauser’s words:

“Anyone who really wants to promote scholarship may not content themselves with uniting uncontrolled ideas and research into a seductive synthesis, written in an attractive form, for the slightest critical touch causes such constructs to collapse.  The established rules of scholarly method cannot be ignored with impunity; even the most gifted may not skip over the necessarily lengthy process.”

I think perhaps those words sound more impressive in German!

  1. A.S. Geden states that Cumont believes this refers to Attis, and the blood to the criobolium.[]
  2. M. Vermaseren, The Mithraeum at Ponza, Brill, 1974, p.12-13.  Google books preview here.[]

Finding archaeology online about Mithras

I’m extremely busy at the moment adding material to the Mithras site.  At the moment this is driven by a list of Mithraeums discovered since 1960.  I am attempting to research each of these online, grab some text, some images, and create a page for it.  This is, inevitably, a very time-consuming business.

Several things have struck me while doing this.

It’s often really hard to work out what is the formal publication of an excavation.  You can search the web as much as you like; you will only find the printed sources most commonly referred to.  In the case of an obscure site, you may not find this, and will have to be content with webpages.

It’s very hard to get even a site plan of the excavation.

It’s very hard to get a list of “finds”, never mind a list of minor finds which may be of critical importance.

It’s also very difficult to physically obtain publications, in many cases.  The Vulci Mithraeum (il Mitreo di Vulci, for the benefit of the search engines, since nearly everything is in Italian) seems to be documented in an exhibition catalogue published by a certain Dr. Anna M. Moretti Sgubini.  The exhibition was ephemeral, and no copies of it are present in any Anglophone country.  I am considering writing to the author, on the off-chance that she has a PDF of her own work.  More and more people do, these days, but it’s not satisfactory.

I have also found that material placed online, in the “Electronic Journal of Mithraic Studies”, in zip files, has gradually become corrupt over the last 10 years and will not open any more.  Being in zip format, it isn’t archived anywhere.

All of this seems remarkably unsatisfactory.  Archaeology is considered a scientific discipline; yet these are fundamental problems.

Of course it may be that the problem is with me.  Perhaps all the archaeologists are “in the know”.  Some may read this and say, “What? You mean you didn’t know that it’s all at www.xyz.edu?  Haw haw!”  Well, if so, I don’t know.  Nor has such a resource come my way.

So I suspect that archaeologists need to consider how they use the web.  Indexes, catalogues, ways to find data — these are what the web is for.

There’s room for improvement here, chaps!

From my diary

I’m mainly busy with the Mithras site at the moment.

I’ve been working through a list of new finds since 1960 made by John W. Brandt, together with a list by Szabo Csaba.  In each case I do a web search for pictures or sites.  I did the Riegel Mithraeum on Friday night.  It’s slow, but useful.

I wish I could find a picture of the curious sword found at Riegel.  This had a semi-circle in the middle of the blade, as wide as a man’s neck.  If put on, it would look as if a sword had been driven through the neck.  Undoubtedly it featured in some initiation ceremony.

Today I collected a curious volume from the library – Al. N. Oikonomides, Mithraic art: a search for unpublished and unidentified monuments.  It’s only a little book, with monochrome photos of a few such.  But it’s still very interesting, if not very scholarly.  It’s basically a set of random notes typed up.

The Origen volume has come back from the typesetter with the latest set of corrections, and I have now produced a proof copy for the translator, and another for me.  I think that I will allow one set of corrections from this, and then go to print.  Somewhere there has to be an end to this task.  The typesetter, Simon Hartshorne, has been very good about this indeed, but I am embarassed to trespass on his generosity much more.

I’m probably doing some other things as well: just can’t think of them tonight!

A ray of light for Mithras at Hawarte on the 25th December?

I’ve been back working on the Mithras site in the evenings, and in particular looking at Mithraea found in recent years.   I’ve created a page for these, and I’m going through them.

Last night I was searching for material about the Hawarte Mithraeum in Syria.  The site was a 5th century church, excavated in the 1970’s.  The floor of the church was bowed near the altar, where a mosaic was removed.  Some time in the mid-90’s, the floor collapsed revealing a painted chamber underneath.  Robbers were quickly on the scene, and their attempts to sell fragments of painting came to the attention of the authorities.  Michal Gowlokowski happened to see photos of some of the paintings and realised that the chamber must be a Mithraeum. He the Polish Archaeological Mission reached an agreement with the Syrian authorities, and excavated the site.  Pleasingly, all their annual reports are online in English here!

The paintings are 4th century, which makes them some of the latest Mithraic monuments.  They are also rather spectacular, as this blog (in Polish – but try using Google Translate on it) indicates!  A sample image:

Mithras, his horse, and a chained demon.
Mithras, his horse, and a chained demon.

Here’s another image, of a fresco restored by the Polish conservation team.  The image seems to have been digitally enhanced for sale, but in the process has revealed additional data, especially the face of Luna at top left:

Travel Pictures Ltd

Here’s a picture of the inside of the Mithraeum from the conservators blog here:

OLYMPUS DIGITAL CAMERA

I’m collecting images and data, and I need to write all this up.  But notice on the left of this image a city wall, surmounted by the heads of demons, each being struck by rays (of light?).  The detail at Hawarte is better than this photo may indicate.  It adds something to our knowledge of the myth of Mithras.  At Hawarte, it begins with the war of Zeus against the Giants, followed by the birth of Mithras and the usual story, and ending with a depiction of the city of demons and the demons being killed by the light of the (unconquered) sun.

More interestingly still, Dr Gowlikowski has managed to demonstrate a connection between Mithras and the winter solstice, the 25 December.  For it seems that the chamber was so arranged that a ray of light would shine on Mithras’ face a couple of hours before sunset on that day.1  However I need to read into this with some care, and make sure that I understand the argument!

One can only praise the Polish team for their exemplary work in preserving and restoring the site.  The paintings are today at the museum in Hama.  Let us hope that they are safe!

  1. Michał Gawlikowski, Krzysztof Jakubiak, Wiesław Małkowski i Arkadiusz Sołtysiak (2011). A Ray of light for Mithras, Monografie di Mesopotamia XIV s. 169-175.  Thank heavens this is online![]

From my diary

Regular readers will know that through an intermediary I have commissioned a lady in Syria to type up the Arabic text of Erpenius’ 1625 edition of the second part of al-Makin.  Al-Makin was a 13th century Coptic writer.  The first part runs from the creation to the 11th year of Heraclius; the second part (which alone has been printed) is abbreviated from the Islamic writer al-Tabari and runs down to his own time.

Today a further 8 chunks of transcription appeared – 80 pages of the Erpenius edition, which is 300 pages in all.  I now have 190 pages of text in electronic form!  Only 110 to go.

This transcriber is really good and swift and efficient.

I’ve also received a bunch of rather excellent photographs of the Barberini Mithraeum in Rome from a correspondent.  The basic versions can be found here, but the photographer has kindly sent me the high resolution copies.  I shall incorporate them into the Mithras site in due time.

I am still working on the Mithras materials from time to time.  It’s the only way to attack such a vast catalogue of material.  I daresay I shall still be working on it in a few years time.  But that doesn’t matter.  Whatever I put online is useful, and whatever I never get to … well, we’re no worse off.

A bunch of errata have been sent to the typesetter for the Origen book who, it turns out, has been in hospital.

I’m still full of cold, so not doing much on any of my projects however.

From my diary

I’ve been looking at some of the entries for Syria in the CIMRM, the collection of all Mithraic monuments and inscriptions.  In particular the two altars at Sia have drawn my attention.  One is easy enough to deal with — I have a photo from the original publication, plus another from the web.

But the other one is hard to deal with.  It hadn’t been published when the CIMRM came out in 1955.  All that existed was a note in Syria journal in 1952 (thankfully online at Persee.fr), promising publication together with other monuments from the Hauran by a certain Mr.  Sabeh, who was an official at the Damascus Museum at the time.  It’s really pretty hard to find a publication from that!

Google searching suggests that possibly any publication was in “Annales Archéologiques de Syrie”, whatever that is, and that the person was a Joseph Sabeh.

But of course in 1956 the Suez incident took place, at which the USA attacked its own allies, Britain and France, and gave support to its enemy Nasser.  The collapse of British and French power left a vaccuum in the region which has never been filled, and caused 50 years of constant violence and tyranny, so that was a very strange policy for the US government of the time to pursue.  But it also meant the collapse of westernising initiatives in all these countries, and it may be that Mr Sabeh ended up hanging from a lamppost, as savagery returned to the region, rather than publishing anything.

It is annoying to be unable to find material of this kind.  Interestingly all the later references to these altars suggest to me that nobody else has ever seen the publication either!

Worse yet, I have found a photograph of a smashed and reassembled tauroctony, apparently held in the Damascus Museum.  There is no indication anywhere as to its origins, and I do not find it in CIMRM.

It’s all a sobering reminder that, while the web has made much information more accessible, it has largely done so within the region of Christendom, of western Europe and the US.  Outside that pale, little is available.

Finding interesting things at the Christies web-site

Few of us will be aware that there are good quality images of past sale objects on the website of Christie’s, the fine art dealers.  But an accident took me there this evening, and I found half a dozen objects relating to Mithras, which had been sold over the last 20 years.  There were photographs of most of these.  I rather doubt that any of them appear in the catalogue of Mithraic monuments and objects, the CIMRM, although of course it is very hard to tell.

Naturally I have added these to my own modest catalogue online of monuments and objects.  I hope that Christie’s will not mind.

One item in particular caught my eye; a statuette supposedly of Mithras-Sabazios.  Sabazios is usually identified with Jupiter or Dionysus.  What I do not see, however, is why we should suppose this to be Mithras?  Merely wearing a phrygian cap is not enough … is it?

There were no such items in the CIMRM, which is telling, perhaps.  I have included it in my own catalogue, but with misgivings.

From my diary

I did a little more on the Mithras pages.  I was able to identify one of the images that I found online and create a CIMRM page for it.  The section in CIMRM on material from Alba Iulia is not very easy to work with, and I was reduced to looking through the limited number of illustrations in the same volume, just to find out which relief I was looking at.  There must have been several Mithraea at Alba Iulia, judging from the number of reliefs of Mithras killing the bull; yet none are mentioned in the CIMRM.  One was discovered in 2010.  There must have been others.

Still, it is impossible for a single amateur like myself to do more than scratch the surface of Mithraic archaeology.  I console myself by thinking that what I do is at least useful, as far as it goes.

A Mithraic brooch in the Ashmolean in Oxford

Last Saturday I was in the Ashmolean Museum in Oxford, browsing idly the Roman exhibits.  Suddenly I realised that I was looking at a set of small finds, all of Empire-period deities; and I started looking much more closely to see if there was a representation of Mithras.  And so there was!

Sadly I had no camera with me.  All I had was the camera in my smartphone, which is nothing special.  Anyway I had a go, and, after several attempts, produced this.

I also photographed the card in the window.  I have found, looking for images online, that the presence of such a card in the collection of photos is really good.  So here is mine:

The reverse of the brooch was harder to see, but there was a pin sticking out to one side from the back, just as with a modern brooch.

So … not a wasted day, in any sense!