Cambridge University Library – daft admissions policies

I want to go up to Cambridge tomorrow and use the library.  I have a reader’s card; although, as a mere taxpayer, I’m only given one that expires every six months, and must pay £10 for the privilege.  Since I work — in order to support CUL with my taxes — I can only go up infrequently.  To renew, I have to sit in a queue in a dim room and wait.  I’ll have to do that (again) tomorrow.

I’ve just discovered that the poor dears are getting all precious about their admissions policy.  Apparently I have to bring my passport.  Yes; I have a photo ID card that they issued, I have been coming there for 11 years, but I have to bring my passport to prove who I am?

It’s understandable that a university which gets riff-raff from around the world may need to check who they are.  But hardly in my case, when I am renewing.  They also want a recent utility bill, for the same reason.  Frankly I’ve had less demands to visit a defence establishment! 

They also want me to produce again a letter of introduction proving that I am an appropriate person to handle rare books.  I’ve had this clearance for 10 years.  Why now?  Oh, and it must be someone with intimate knowledge of my research — yes, fine, except that for a private researcher who will know this?

I won’t bore you with the further, fussy, annoying details.  It’s the whole attitude that gets me.  I, as a respectable member of the public, who pays for the whole thing, is harassed with these absurd and petty regulations.  They do not benefit the library — on the contrary, they injure its reputation — and they injure me.

Why DO libraries do these things?  I wish I were a rich man.  I would get my lawyers to sort these people out in short order.

So… wasting time today gathering documents.

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How to use Diogenes with the TLG disk (not that any of us have one, oh no)

A friend has sent me this set of instructions on how to use the Diogenes software with the TLG.  Apparently this has a really nice look-and-feel interface.

1: Go to Edit, Preferences, and under “Location of TLG database” I put the location as this “c:\tlg/” or wherever I had stored the TLG in my computer. Click save settings.

2: Go to the main page on Diogenes and under Corpus select “TLG texts”

3: Under Action select “Browse to a specific passage in a given text” and then under “query” type in the first few letters of the author you are interested in finding. This is the Latin name so the complete English spelling will likely come up with nothing. A list will come up with either one author or the names of multiple authors. Select the author you want. A list will come up with their works. Select the work you want. Now you may enter the book and chapter numbers. Enter zeros to view the beginning of the work. Now you can browse the work. If you click the word in the work Diogenes will parse it and find the dictionary’s definition. Pretty neat.

4: To run a TLG search go back to the homepage. Under action choose “search the TLG”. Then under “query” type in a Greek word using unicode font. This will attempt to match this word with that TLG database.

One more thing, under the homepage for Diogenes you can select “search for conjunctions and multiple words”  I find it best if you search for only one word and then add on another word after the second screen pops up. 

Another classicist receives justice
Another classicist receives justice

I am told that TLG FAQ on its website claims that the TLG CD was never sold and that no one should have it now, even libraries, so its risky even saying that you have access to the CD E because to them you shouldn’t.  As a humble member of the public, I most certainly don’t have a copy.  But I post these instructions, just in case some scumbag somewhere is still making use of an ‘illegal’ CD, and hasn’t been reported to the police yet.

If anyone does know someone with a CD, I hope that every reader will most certainly denounce them to the police.  If you are at school, and you discover that your father or mother has a copy, you should denounce them likewise.

This may seem harsh, but it’s the only way to curb the criminal element among classicists and to build a better world.   Mind how you go.

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Vatican ms orders received

On May 19th I ordered reproductions of two manuscripts of the unpublished Arabic Christian historian al-Makin from the Vatican.  I didn’t receive any acknowledgement, so wasn’t expecting much.  Anyhow a UPS man arrived a few minutes ago, bearing a parcel.  So it took just under 7 weeks to get, from posting the order to now.  That’s really not too bad.

Less good is the payment arrangements.  They’ve sent me an invoice, which has an international bank account number (IBAN) and a SWIFT number on it, so I can do a bank-to-bank transfer.  These are marvellously expensive things to do from the UK (because the banks rip you off).  There seems no facility to do a credit card payment.

The images arrived as two PDF’s  — which is good.  The images are scanned from black-and-white (not even monochrome) microfilm — which is terrible.   The consumer really should be protected from this rip-off racket of selling substandard images at very premium prices.  The price for the two mss. was 215 euros; the charge for postage and packing was 15 euros; quite a bit for 43Mb of data, which could perfectly well have been made available for download. 

Of course the library is profiteering pretty heavily here.  The microfilms already existed, so to produce these PDF’s required them to load them in a microfilm scanner, hit “scan”, and go and have a coffee.  200 euros for a trivial bit of work; nice if you can get it, eh?

I was amused to find a “copyright” notice included.  This is almost certainly fraudulent, as ever; these images cannot be considered creative works of art!  Only in the UK could this even possibly be in copyright, because of the foolish wording of the law in this country.

Still, the failings of this service are historic and traditional; the advantages of it are all new, and I think we may expect radical improvements in service.  Everyone will expect better quality, and we may hope to get it.

UPDATE: I discovered by chance that HSBC customers can do their own international transfers from their online system, at a price of 9 GBP; far cheaper than Lloyds TSB at 15 GBP, etc.  So that’s the way to do it, if you have such an account.

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Syriac Eusebius “Quaestiones” fragments almost complete

Excellent news on the translation of Eusebius’ “Gospel problems and solutions” (Quaestiones ad Stephanum/Marinum).  Two more of the Syriac fragments — those printed by Mai — appeared in my inbox over the weekend.  Only one more to do!

I also obtained some splendid colour digital images of unpublished Syriac fragments of the same work from the Mingana library.  We need to look at these, of course; and finally, to revise the whole version of the Syriac.  Apparently the Syriac isn’t that close to the Greek, although it is written in quite good Syriac.

In addition, I heard from the translator of the Greek.  He has resumed revising the whole translation of all the Greek, and is part way through the fragments.

Also a friend has translated a second Coptic fragment for me.  It looks as if we’ll be done by autumn.

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Hippolytus’ Chronicle

I had an email this week from Tom Schmidt, who is about 670 lines of the way through the 1,000 lines of this work.  He says he intends to put his translation of the text online, which is very good news indeed!

He’s also been wondering whether a PhD in Patristics would be an opening to a career.  I had to tell him that I had no idea what careers were like in patristics — I’m a computer programmer, not an academic.  Anyone any thoughts?

My own feeling was that he should become a stockbroker, get rich, retire at 30, and do what he liked then.

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Humouring the end of the world

I came in just now, out of the burning heat, and there was a leaflet on my doorstep.  It was from the Jehovah’s Witnesses, and titled “How will you deal with the end of the world?” or something like that.

Sad person that I am, the only thought that entered my heat-addled brain was “get better air-conditioning.”

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Computer analysis of inscriptions gives authorship

An interesting technology advance is reported in New Scientist, and follows.  What the researchers have done is quite clever, and probably sound.

They take an inscription by a known artisan of a known date, and store each letter in it.  This gives them multiple letter ‘A’, for instance.  They then create an ‘average’ image of these by superimposing all the ‘A’s on top of each other.

Then they take an unknown inscription, and create the same average image from the same letter.  Then they compare how close it is.  There’s probably a mathematical “index of similarity” function being used to decide this.

Apparently it works.  They tried it out in a blindfold test on some known inscriptions, and it identified the artisan and the date correctly.

Computer reveals stone tablet ‘handwriting’ in a flash

18:00 02 July 2009 by Ewen Callaway

See a gallery of images showing the tablet-reading process

You might call it “CSI Ancient Greece”. A computer technique can tell the difference between ancient inscriptions created by different artisans, a feat that ordinarily consumes years of human scholarship.

“This is the first time anything like this had been done on a computer,” says Stephen Tracy, a Greek scholar and epigrapher at the Institute for Advanced Study in Princeton, New Jersey, who challenged a team of computer scientists to attribute 24 ancient Greek inscriptions to their rightful maker. “They knew nothing about inscriptions,” he says.

Tracy has spent his career making such attributions, which help scholars attach firmer dates to the tens of thousands of ancient Athenian and Attican stone inscriptions that have been found.

“Most inscriptions we find are very fragmentary,” Tracy says. “They are very difficult to date and, as is true of all archaeological artefacts, the better the date you can give to an artefact, the more it can tell you.”

Just as English handwriting morphed from ornate script filled with curvy flourishes to the utilitarian penmanship practiced today, Greek marble inscriptions evolved over the course of the civilisation.

“Lettering of the fifth century BC and lettering of the first century BC don’t look very much alike, and even a novice can tell them apart,” Tracy says.

But narrowing inscriptions to a window smaller than 100 years requires a better trained eye, not to mention far more time and effort; Tracy spent 15 years on his first book.

“One iota [a letter of the Greek alphabet] is pretty much like another, but I know one inscriber who makes an iota with a small little stroke at the top of the letter. I don’t know another cutter who does. That becomes, for him, like a signature,” says Tracy, who relies principally on the shape of individual letters to attribute authorship.

However, these signatures aren’t always apparent even after painstaking analysis, and attributions can vary among scholars, says Michail Panagopoulos , a computer scientist at the National Technical University of Athens, who led the project along with colleague Constantin Papaodysseus.

“I could show you two ‘A’s that look exactly the same, and I can tell you they are form different writers,” Panagopoulos says.

Panagopoulos’ team determined what different cutters meant each letter to look like by overlaying digital scans of the same letter in each individual inscription. They call this average a letter’s “platonic realisation”.

After performing this calculation for six Greek letters selected for their distinctness – Α, Ρ, Μ, Ν, Ο and Σ – across all 24 inscriptions, Panagopoulos’ team compared all the scripts that Tracy provided.

The researchers correctly attributed the inscriptions to six different cutters, who worked between 334 BC and 134 BC – a 100-per-cent success rate. “I was both surprised and encouraged,” Tracy says of their success.

“This is a very difficult problem,” agrees Lambert Schomaker,
a researcher at University of Groningen, Netherlands, who has developed computational methods to identify the handwriting of mediaeval monks, which is much easier to link to a writer compared with chisel marks on stone.

Although Panagopoulos’ team correctly attributed all the inscriptions to their rightful chiseller, Schomaker worries that shadows could distort the digital photographs used in the analysis. Three-dimensional lasers scans of the inscriptions may offer more precision, he says.

Panagopoulos says his team is looking to use 3D images in the future.

The Greek computer scientists would also like to build a comprehensive database of digital inscriptions and attributions, so any newly discovered or analysed inscription could be quickly attributed and dated.

Journal references: Panagopoulos’ study – *IEEE Transactions on Pattern Analysis and Machine Intelligence*(DOI: 10.1109/TPAMI.2008.201); Tracy’s report – *American Journal of Archaeology* (Vol 113 (2009), No 1, p 99-102)

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The limitations of PDF textbooks

We all know that textbooks are often best in searchable PDF form.  But yesterday I came across a case where they were not.  I wanted a French grammar, so that I can brush up on stuff for Agapius.  I found a bootleg PDF, thereby saving myself $25.  But… I found that what I wanted to do was read the thing in bed, just a bit at a time, skip pages, and generally absorb interesting stuff by osmosis.  I needed a book, in short.

So, yes, I went out and bought one.  It was the only way!

Worth remembering, when we talk about the death of the book.  Only some books will die.

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EThOS – still impressed

An email from the British Library EThOS service popped into my inbox a couple of days ago.  It told me that a PDF of a PhD thesis was now available online for free download.  I’d “placed an order” (free) for this some time back, and here it was.

The thesis was The indica of ctesias of cnidus : text (incl. MSS monacensis gr. 287 and oxoniensis, holkham gr. 110), translation and commentary by Stavros Solomou, London 2007.  This link should find it.   The quality is excellent –  far better than the scans at the Bibliotheque Nationale Francais.

It would help if the site gave permalinks to theses.  Likewise, when an order is available, a link to the thesis details would help.

But I’m still dead impressed.  Whoever could have accessed something like this, before EThOS came along?  I have some slack time today; I would never have hunted this out, but now… here it is.  I get to read it, the author gets read, everyone benefits.

Well done the British Library.

The thesis itself is of considerable interest.  The Indica of Ctesias was used widely in ancient times, until John Tzetzes; and then suddenly is no longer mentioned.  This leads us to suppose that the last copy or copies perished in the sack of Constantinople in 1204 by the renegade army originally hired for the Fourth Crusade. 

An epitome exists in Photius.  But the author has obtained two additional unpublished mss, and edited these also.

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Printing the original text of Origen on Ezekiel

I’m now looking at including the original text in any printed version of Origen on Ezekiel.  We’re using the edition by W. Baehrens, published in the GCS 30 (1921) [1], as reprinted in the Sources Chretiennes edition.

According to Wikipedia, Baehrens died in 1929, which is more than 70 years ago and so makes his work out of copyright in the EU (including Germany).  The US copyright position is less clear, but I doubt anyone will care, once it is out of copyright in its ‘home’ country.

So it looks as if I can just use this.

I do wish, tho, that I could actually obtain a copy of Baehrens’ edition!

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  1. [1]Origenes Werke VII. Homilien zum Hexateuch (1. Aufl. 1921: W. A. Baehrens)